The crass scene may very well have prevented American Psycho from becoming the cult classic it is today. The next morning, Bateman seems to be going about his schedule per usual getting ready, later visiting Allen’s apartment where he had hidden the decomposing bodies that ‘Christie’ had discovered before she was presumably killed by a one in hundred chance of Bateman throwing the chainsaw down the stairwell and it hitting her. During the call however, yet again peculiarly, he is not able to put a pin on the number of people he killed during his rage fiascos, quickly oscillating between wild guesses ranging from 5 to 10, to even 20 and 40. Peculiarly so, he even names the prostitutes according to his own liking. © 2020 Cinemaholic Inc. All rights reserved. When an acquaintance unexpectedly comes in and inquires about the stains, Bateman nervously claims they're "cranberry... cran-apple..." but they sure look bloody. It was at first laughed off as an elaborate prank, and when one among the homogenous lot is confronted with the hard-hitting truth laid bare, seemingly by the perpetrator himself, there is no action, no resultant, and no catharsis or confrontation. The American Dream, the life. Bateman displays this contradictory verbal behavior throughout the film, with bizarre statements that may or may not be said out loud. Coming back to the film, this much is for certain that Bateman didn’t commit all of those murders (considering that you go with the second theory ruling out him committing any), and especially not Paul Allen’s and all the people in the end. "American Psycho" is a great thriller film of 2000. “This is not an exit”, as the sign on the door behind Bateman in the closing scene says. Mary Harron’s “American Psycho” is a searing satire of yuppie culture and the excess of the 1980s. It is like a sadistic puppeteer with all the strings in his hands: the dramatic equivalent of the shedding of masks our unreliable narrator had to don all through the day, pretending to be someone he was not. The frantic events of the night come to an abrupt halt just as they conspired, as if the manhunt for somebody who shot down atleast five people in the street was miraculously called off, and we jump to the events of the next day wherein Bateman still believes that the events of last night conspired in exact absolution as shown in the film. A male director might have thought Patrick Bateman, the hero of "American Psycho," was a serial killer because of psychological twists, but Mary Harron sees him as a guy who's prey to the usual male drives and compulsions. Rather, he claimed he was having dinner with other colleagues... including Patrick Bateman. In the very next scene, we see Bateman aggressively arguing with some non-English-speaking dry cleaners about not bleaching what appear to be bloody sheets. All of the central characters are male, and many of Bateman's victims are female. “There is an idea of a Patrick Bateman, some kind of abstraction, but there is no real me. It might be worth noting that the helicopter is never actually shown in the particular scene. Throughout the entirety of the movie, we see Christian Bale's character repeatedly called names other than Patrick Bateman by various individuals — leading some viewers to question whether or not he really even is Patrick Bateman. But first, a brief reminiscing of its head-scratcher ending. And though we witness Bateman kill Paul Allen "with an axe in the face," and hear him claim that the body is "dissolving in a bathtub in Hell's kitchen," we're presented with some evidence to support that idea that Allen is actually alive and well... but we shouldn't believe it. He also admits to partially eating people, which we see play out in one traumatizing scene. Linked. He also admits to his unfazed fiancée that his "need to engage in homicidal behavior on a massive scale cannot be corrected, but [he] has no other way to fulfill [his] needs," while drawing a picture of the woman he just killed with a chainsaw. However, as I stated, the dark beauty of this is what you can take from it personally, and irrespective of the numerous theories out there, here is what I took away from the film. The ridiculous lengths each character goes to, in order to become a carbon copy highlights the superficial consumerism that the film dramatically critiques. Most of his murders are premeditated, giving him the means to control how the kills go down. He could be talking about a real person from before the film's events, but it does seem like Bateman and Jean have a messy romantic history. Then again, where there is prosperity or more particularly, the illusion of it, there is going to be resistance, and what better medium to express that than through the most accessible of art forms, Cinema? American Psycho is a beautifully controlled, careful, important novel which revolves about its own nasty bits.’ Fay Weldon, Guardian , 25 April 1991 Not long after publication, Bret Easton Ellis wrote a response to all the criticism of the book in the New York Times : However, as far as I am concerned, there is something much deeper, much more complex at play than simply mistaken identities. As a result, to date, there exists no singular definition or “meaning” per se of the ending, as I have said before. July 17, 2020 by the Editors Leave a Comment After asking a homeless man why he doesn't get a job and taunting him relentlessly, Bateman straight up stabs him in the chest, before kicking his dog to death. The movie, American Psycho, depicts the double life of a well-to-do investment banker from New York. The story's primary plot arc follows Patrick Bateman's mentality from psychopathy to full-blown psychosis. None of the people involved in either the original novel or the film had anything to do with the "sequel", and Bret Easton Ellis himself has condemned the film, distancing himself and the makers of American Psycho from it and emphasizing that the film is not a part of the official Bateman mythology. Marcus and I even go to the same barber." With a lovely view of Central Park, Allen's apartment is known to be one of the most expensive properties in New York City. American Psycho: a complete explaination of the movie. Outside of the homeless man, the helpless puppy, and the rampage Bateman goes on after the ATM killing, he seems to have his homicidal agenda laid out. Cronenberg forbade Ellis from writing scenes set in restaurants or clubs. American Psycho is a film about a man who is unsure about his identity. He wants desperately to fit in with the other yuppies, but also wants to be an intelligent free-thinking individual. "He's there," Turner says, "he's got the kitten, but the ATM doesn't actually say that. One of the more popular interpretations of American Psycho suggests Patrick Bateman never actually killed anyone, and the murderous actions we see played out merely take place in his unhealthy mind. The proper DSM-IV classification for Patrick Bateman is antisocial personality disorder, but that doesn't sound as punchy as American Psycho, hence the chosen title. He also has a penchant for Valentino suits and Oliver People's glasses. In fact, they would work even if you were to use, say, Norman Bates, or even Kevin Wendall Crumb in place of Bateman. Did Bateman really kill Paul Allen, or did his rival move to London? When pressed, he says: "Davis, I'm not one to badmouth anyone. Endings, Explained Series For more on great articles on Endings, Explained Series check out our Endings, Explained Series:Series Meanwhile, back at Harry’s Bar where he’d told his lawyer Harold Carnes he’d be that afternoon, he and his colleagues are still arguing over where to get reservations for the evening. In fact, there are no redeeming qualities about any man in the entire film. The real question is whether or not he acts on his homicidal impulses outside of his head. Thus, it's highly probable that his epic rampage wasn't quite so epic — if it even happened at all. Now, while there's no way to be 100 percent certain that Bateman did murder people, there's a lot of evidence supporting the idea that he is, in fact, a serial killer. In the same scene, Allen also calls McDermott "Baxter," indicating misidentifications are not isolated instances. ‘Fight Club’ makes it pretty clear that Tyler Durden was an idea: a dissociative identity created by the narrator as a refuge, a sort of counter-play to the worldly submissive personality that he was. But he also goes after his male coworker and an old friend — both brunettes. Yes, the ending has been ever questioned and debated upon by the entire fandom of this movie and the book, to this date, and that is what I believe is the beauty of it. Look closer at the deeper meaning and messages of American Psycho's ending. To each listener (or viewer) trying to tune on to the same frequency, it will settle at a different point for when he/she hears it perfectly clearly. Maybe 40!" Bateman is into blondes, evidenced by his fiancée, his mistress, his secretary, and the two sex workers he victimizes and later kills. It is one of a psyche repressed by the pressures of “fitting in”, so much so that the repression, and the desires that yields become murderous. As a literary offering, American Psycho found few defenders—most notably Norman Mailer, a man who had made a fine career courting controversy—but Roger Rosenblatt of the New York Times spoke for most critics when he called the book “the most loathsome offering of the season.” This distanci… We also have an alternate theory, one that is more widely accepted among the loyal fandom. The theory I presented above is a completely personal one; most likely, you would not find one on the internet that would agree with the one above, so here is the more conventional take, one that most people seem to agree with anyway. The real Halberstram, unsurprisingly, claimed he was not having dinner with Allen. David Cronenberg occupied the director's chair before Mary Harron, but instead of hiring a scriptwriter, he asked Bret Easton Ellis to write the script. What's the deal with Allen's apartment, and why does Bateman's lawyer mistake him for someone else? American Psycho essays are academic essays for citation. We also already know from Detective Kimball that Allen was mistakenly identified in London by another individual, meaning the confused Carnes probably dined with someone else entirely. It is a sharp comment on the homogenous nature of the very clothing these men wear, the very talk they talk and the walk they walk; even their visiting cards that were essentially designed to be the same, but ended up being pawns in a game of one-upmanship. In fact, Bateman doesn't even know how many people he's killed. In this competitive hierarchy, the novel's male characters jockey for status not only by constantly impugning each others' masculinity, but also by habitually disparaging women, gay men, people of color, and the homeless. In a panicked phone call to his lawyer, Bateman says: "I've killed a lot of people. “There are no more barriers to cross. Regardless, the aggression, mood shift, and disarming wink that ends the episode are the first jarring clues that Bateman isn't as polished as he seems. That in fact is the pining and towering achievement of ‘American Psycho’s finale, certainly more than the ambiguity of it. Their biggest problems revolve around getting dinner reservations at Dorsia. This misidentification of Bateman immediately makes anything that comes out of Carnes mouth invalid, as he can't even be tasked with keeping his own clients straight. The term psychopath isn't a clinical diagnosis, Patrick Bateman never actually killed anyone, Bateman straight up stabs him in the chest, whether or not he really even is Patrick Bateman, Patrick Bateman actually killed Paul Allen, Carnes doesn't even know who Patrick Bateman is, Allen was mistakenly identified in London, In a group discussion of the film with journalist Charlie Rose, The film's screenwriter, Guinevere Turner, told. Some man, some old f***** with a dog. The apartment really was full of dead bodies, and Paul Allen was definitely living there before he was murdered. Now, I can completely guarantee that replacing Patrick Bateman in the above lines with Tyler Durden would still make the lines work. In that, everything that conspired in the film being narrated by “Patrick Bateman” might actually be just a figment of his imagination, a further extension of his murderous psyche. The hide, made of Valentino suits and Olivers’ glasses, strutting about in high rising offices proves to be so inconspicuous that in the world Bateman operated, anybody could be anybody. These are discussed in relation to diagnostic categories. Now carry all of that hypothesis over to the ending of ‘American Psycho’, and apply all of what I just said to Patrick Bateman’s case. He's just going nuts." Of course, the moment we realize that something is truly astray with the reality being portrayed on screen is when the ATM instructs Bateman to feed it a stray cat. Serial killers often begin their sprees with someone they know in the heat of the moment, but it's rare to go back-and-forth the way Bateman does. These papers were written primarily by students and provide critical analysis of American Psycho by Bret Easton Ellis. He's losing his mind." Cookies help us deliver our Services. 11. Now that we have set the groundwork for the very climax that we are going to discuss in detail, this is where we temporarily part ways with ‘Fight Club’ and delve headfirst into the complex thought web that is ‘American Psycho’. "Are you freebasing," Bryce replies. We have a whole lot of explaining to do for the events that conspired. Anyone who watches American Psycho is always a bit confused by the plot. Nobody likes waiting to be served, but thinking about playing with the bartender's blood because her club doesn't accept credit cards isn't exactly healthy. Everyone in this elite circle of Pierce & Pierce "Vice Presidents" — the title on literally everyone's business cards — is so self-centered and self-absorbed that they can't even keep each other's identities straight. The bodies are gone, and contrary to his expectations of seeing the cops or the authorities down there, he finds a realtor tending to potential customers about the flat, who then confronts Bateman and tells him that a Paul Allen never lived here. I fact I want my pain to be inflicted on others. While it's easy to conclude that Bateman forgot about this dinner, blacked out, or simply imagined killing Paul Allen, it's far more likely that Bateman was actually not at said dinner. According to literary critic Jeffrey W. Hunter, American Psycho is largely a critique of the "shallow and vicious aspects of capitalism". In fact, more than the acceptance, it is the drive to stand out from a superficial, homogenized society that drives most of the actions here, and you, sir, sit on a throne of lies if you claim that drive hasn’t gotten to you. American Psycho is based on a novel by Bret Easton Ellis and directed by Mary Harron. Read on. Carnes recognises the message but laughingly dismisses it as a prank, addressing him as Davis, and terms his prank’s giveaway to be “Davis” trying to frame “Bateman” for the murders since he was “such a dork” and a “boring, spineless lightweight.”. One of the most confusing moments in the film takes place when Bateman shockingly finds Paul Allen's apartment — previously full of dead bodies — spotlessly clean, and being shown to potential tenants. She states that the event really took place, but "in real life, they probably weren't as attractive as they are, and it wasn't all as Penthouse Letters as it is.". The film is a brutal satire about the material and the impact that comes along with its pursuit. All I have in common with the uncontrollable and the insane, the vicious and the evil, all the mayhem I have caused and my utter indifference toward it, I have now surpassed. American Psycho is set in the male-dominated sphere of investment banking on Wall Street in the late 1980s. It is the late 1980s in New York city. Later that night, while withdrawing cash from an ATM, the absurdities start when the ATM mysteriously displays a message asking Bateman to feed it a stray cat. Straight to the ending now. Turner mentions "the scene where he gets the two hookers to come over, and he's videotaping himself and looking at himself in the mirror" as one of the turning points in the film. The obviously frazzled Bateman probably killed someone the night before — likely the random woman on the street from the previous scene. The 90s films, especially, saw the deconstruction and the shattering of the fake glass façade that was the great American dream after decades of glorification. The very soul of both movies, sauced up with unbridled chaos is essentially the same, although the mode of conveying the same may be different. Their attention is firmly focused on acquiring material wealth, lording it over others, and snorting cocaine in club bathrooms. “A big musical number, very elaborate. In an attempt at fleeing to his office, he mistakenly enters a completely identical office building, something which I believe is a satirical, Jacques Tati’s ‘Playtime’esque jab on the repetitive architecture of modern office spaces, killing a janitor and a security guard in the haste of exiting there. Some people think it was all a fantasy. The main problem with the final scene is the aforementioned Carnes, who can't keep his clients straight. You get the idea: however, it is more than a case of even a dissociative identity. Now, there is a marked difference in what the book intended, what the director intended, and what the film presented, that has actually left behind a huge lack of clarity, but therein lies the beauty of it. He calls her during one of his least lucid moments, so he definitely knows, on some level, that Jean is alive. I consider the psychological constructs and the degree of truth in the finale of the film to be like an antique radio. After all, how can we believe Carnes when he already mistook Bateman, his own client, whom he speaks to on the phone "all the time," for someone else? Here, I want you to keep an open mind and consider that Patrick Bateman might actually be someone else, and the unreliable narrator, “Davis” subsumes the identity of Patrick Bateman to lead his sadistic acts to fruition, just as “Bateman” assumed “Halberstram”’s identity when killing Allen, or “Allen”’s himself while inviting the prostitutes over to his home. Putting two and two together, she calmly but sternly tells the confused (and lucky) Bateman that she thinks he should leave, not make any trouble, and never come back. The camera then shows us the individual in question, who is most definitely not Paul Allen — who's normally played by the recognizable Jared Leto. American Psycho (2000) Was Patrick Bateman a Wall Street serial killer or was it all in his head? He was never real, and the narrator manifested Durden’s personality in the image of who he wanted to be, deep beneath. Needless to say, what I state here is my personal take on the ending and what I took home from it, despite the director, Mary Harron clearly stating otherwise in an earlier interview. Harold Carnes knows far less about what's going on than you might think. Most importantly, there are absolutely no redeeming qualities about Bateman. But along with their hydrating factors, he uses products to fake his humanity. American Psycho provides an overview of the personality traits of an individual who may be suffering from a number of potential conditions. To sum it up, the idea overarching this is the refusal of the illusory, the materialistic and a recognition of the embrace of mundanity in the modern age, something that was our trade-off for said materialism. It is also certain that Bateman was a lowkey psychopath, hiding under the guise of an everyman, succumbing to the pressures of acceptance. Look closer at the deeper meaning and messages of American Psycho‘s (2000) ending. A cat mysteriously appears right in front of him, who he intends to shoot, stopped only by an onlooking woman with Bateman ending up shooting her instead. Naturally, he agrees. And yes, there are videos. Thus, the owners understandably want to get someone living there and paying rent there as soon as possible. Like the Bret Easton Ellis book that it's based on, the ending of Mary Harron's American Psycho is rather ambiguous, and has been a source of debate amongst fans for a … He treads lightly when mentioning his fiancée, for example — and this is not a guy that generally cares about people's feelings. He rambles, "I killed Bethany, my old girlfriend, with a nail gun." After misidentifying Bateman as "Davis" and claiming to have had dinner in London with Paul Allen, viewers are tricked into thinking that Bateman can't separate fantasy from reality. This paper provides an illustration of problems in making diagnosis based on a single film. More bizarrely, Bateman's kills are seriously dramatized and employ beatings, an ax, a chainsaw, a nail gun, a real gun, and vivisection. Thus, it's extremely likely that the real Halberstram simply mistook a different colleague for Bateman — as did Paul Allen — thus providing Allen's murderer with one ultra lucky alibi. While initially appearing straightforward, the movie intentionally unravels at the end, making plenty of people wonder whether or not Patrick Bateman's murders even took place. Bloody Disgusting ranked it at No. Jean is the only woman in the film that Patrick shows any level of regard for, but that's not saying much: His hankering to kill her is still strong enough to make him grab his nail gun and almost kill her. I want no escape. But he doesn't know what he wants, and it shows. Pardon that wall of text. All of them look and sound almost exactly the same, something that is wonderfully covered and conveyed in one sweeping shot during Patrick’s final confession in voiceover before the film closes. Played by Christian Bale, the character Bateman impeccably depicts the behavior of a real psychopath. Even if Bateman might not have committed any murders until then in the film, all the while the desire to kill being amply clear from his graphic diary, this would be the exact moment that would have birthed a monster, the American Psycho. Because of the above I read into it that the narrative of American Psycho is a personal Hell for Patrick Bateman. New Feature: Table Support. When Bateman confronts him further, impatiently so, confessing in the first person to the murder of Paul Allen, Carnes is shook but still doesn’t believe him, stating that he had dinner with Allen just a few days ago in London. A suspicious Jean then walks into Bateman’s office, only to open his diary and be terrified of extremely graphic, brutal, and sadistic drawings of the people, and in particular the women he had killed. He works by day on Wall Street, earning a fortune to complement the one he was born with. Only an entity, something illusory. 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